
I create motion and drama everyday. In fact if I’m not building this into my spaces, I’m not creating architecture. Come to think of it, I’m not sure if there can be architecture without motion.
Take the pyramids of Giza, for example. On the surface one would think, there they are immovable, indestructible static examples of one of man’s greatest engineering achievements. While we’re at it let’s throw in Picassos’ Guernica, Grand Central Station in New York and your bed room.
I can’t speak for other designers but when I talk about motion I’m referring to your perception of the space or object as you move around it. Although Michelangelo’s Pieta is a ‘frontal’ sculpture, it’s recently been shown ‘in the round’. There is so much more to see as one walks around it. It becomes more ‘alive.’ One’s understanding of it is so much more deep when many sides are seen in one viewing.
The pyramids of Giza look very different at sunrise than sunset, up close and from a distance, in the dark or in the blazing midday sun. Suddenly what appears to be a static, fixed object becomes dynamic and full of drama as one walks around it, or views it from different vantage points.
Although Picassos’ Guernica is a large flat stretch of canvas, one tends to ‘read’ it from left to right. As if a story is being told. The horrors of war, the futility of destruction are dramatically designed on the canvas. Go bask and see it again and more information becomes available. Read about the history and process of it’s creation and it becomes even more live.
Finally your bedroom. Although it has the same pieces of furniture in it everyday, it looks and feels different when the morning light streams in through the blinds, or at night, reading with a small book light.
Motion is everywhere. As you walk through your house, take a minute and become aware of the things in it and how they look different, how the motion of your eyes over the objects change your perception of them. Everything you see is constantly in motion therefore everything is dramatic.
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